Rate It. Zeiss 28-80mm CZ.2 Cinema Zoom is a standard zoom lens for production shooting on formats from MFT to Full-Frame sensors. This guarantees you excellent image quality with low distortion, high resolution and excellent color rendition for sharp, punchy pictures. The Zeiss 70-200mm zoom, which is by no means a behemoth by cinema lens standards, comes in … All eyes on our ZEISS Cinema Zoom 28-80! Disponible en location à petits prix chez visualsfrance.com, il est composé de Cinéma fixe focal. While the picture above makes the lens look big, it is only 8.9" long. Thanks to separate components for zoom and focus, ZEISS eliminated bouncing and focus changes while zooming. ZEISS Cinema Zoom Lenses High-performance cine zoom lenses that make the most of the moment. Rate It. VIEW PRODUCTS. The ZEISS Cinema Zoom lenses deliver great flexibility thanks to interchangeable mounts, allowing them to be used with a wide range of cameras from multiple manufacturers. View and Download Zeiss Cinema Zoom 15-30 change instructions online. ARRI Signature Zoom Lenses. For photography – whether SLR or mirrorless system cameras – millions of photographers put their trust in ZEISS lenses. There is a comprehensive choice of cinema zooms with consistent aperture, good sharpness and contrast, minimal distortion and a look that matches the highest quality cinema primes including ZEISS/ARRI lenses. Contax Zeiss glass was engineered for 35mm full-frame. After recording on set together with the video files, they can be applied in post-production for compositing for example by using the ZEISS developed lens plugin. Full Frame Plus. Cinema Shot provides a selection of cine zoom lenses for rental. Besides these iconic lenses we offer a small, reliable and versatile Super 35 Zoom in the form of the ZEISS Lightweight Zoom LWZ.3. They are bigger, heavier, have a larger barrel built for a follow focus with a longer rotation for precise focus pulling, there is a click-less aperture ring and the lenses are made with an extremely high quality build. Fujinon ZK25-300mm T3.5 to T3.85 Cabrio Premier Lens (PL Mount) $12500.00. Crafted in England since 1894. While the picture above makes the lens look big, it is only 8.9" long. Please type in your address to find a dealer near to your location: You can find our community on the plattforms listed above. With each model weighing … The ZEISS Otus, ZEISS Milvus and ZEISS Loxia lens families were all developed for both still and motion capture. ZEISS Cinema Zoom lenses are precision engineered within the tightest possible tolerances. Parfocal Lenses Most of us who are used to zoom lenses in still photography know that when you zoom in you may have to re-focus. Cinema lenses differ from lenses designed for still cameras in many key ways. Parfocal lens design (so focus doesn't shift as you zoom like they do on photo zoom lenses… Designed for EF-Mount Cinema Cameras and DSLR Cameras, Canon Cinema Prime Lenses are available in a wide variety of focal lengths, each offering fast T-stop and 4K optical performance supported by precise … See B&H's vast selection of Zeiss Cine Lenses including popular models like CP.2, CP.3 XD, Supreme Prime Radiance, Supreme Prime, CZ.2 and LWZ.3. It was the lightest cinema zoom I have ever held and was lighter than most prime lenses. We also use third-party cookies that help us analyze and understand how you use this website. Cooke Americas. There is a comprehensive choice of cinema zooms with consistent aperture, good sharpness and contrast, minimal distortion and a look that matches the highest quality cinema primes including ZEISS/ARRI lenses. It is mandatory to procure user consent prior to running these cookies on your website. Designed for EF-Mount and PL-Mount Cinema Cameras, Canon Cinema Compact Zoom Lenses provide high mobility while offering outstanding 4K optical performance. Legendary lens manufacturer Zeiss has announced new compact primes and zoom lens both aimed at the cinema market. $27000.00. Lenses » Zeiss Lenses » Zeiss Zoom Lenses » Zeiss Cinema Zoom Series Lenses. The Zeiss Cinema Zoom lenses demonstrate high quality optics, affordability, and flexibility with their interchangeable mounts. … We'll assume you're ok with this, but you can opt-out if you wish. It is made to display no distortion just like the 12-24mm F4 DG HSM | Art, but is also designed to control sagittal coma flare. Cinema Zooms. Prime. Whether you’re shooting a film, commercial, corporate video, television drama, soap or high-end documentary under the most difficult conditions, the ZEISS LWZ.3 is a powerful, handy and trustworthy companion on the front of your … More info about the Cinema Zooms: https://zeiss.ly/cz2. Additionally, they all cover a full-frame image format without vignetting. … Academy Award Winning Cinematography Lenses for multiple film and digital applications. Also for: Cinema zoom 20-80, Cinema zoom 70-200. I was able to put the new 15.5-45mm zoom on my Canon EOS 5D Mark II and I shot some video with it at 24p - tho it is designed for the 1.6 crop and sensors like the Canon EOS 7D so the video shows a vignette. Crafted in England since 1894. ARRI Anamorphic Ultra Wide Zoom. I believe planet5D is the first to show video shot with the new zoom! The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. ZEISS has been manufacturing large format cinematography lenses that cover FF35 and beyond for more than ten years. ZEISS has been manufacturing large format cinematography lenses that cover FF35 and beyond for more than ten years. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. In order to explain the procedure, this manual uses a ZEISS CZ.2 28 – 80 which is scaled in feet with PL mount. The Zeiss Cinema Zoom lenses demonstrate high quality optics, affordability, and flexibility with their interchangeable mounts. Both Zoom Lenses are colormatched not just to eachother, they fit perfectly to all ZEISS prime lenses. Besoin de louer un objectif Zeiss ? 35mm / PL Mount Zoom Lenses. The movie premiered at Sundance last year and scored 16 awards since its release. Among them the well-known ZEISS Compact Prime family, the ZEISS Cinema Zooms and of course the ZEISS Supreme Primes that are becoming ever more popular for feature films, TV shows, commercials and other projects. The ZEISS Cinema Zoom lenses deliver great flexibility thanks to interchangeable mounts, allowing them to be used with a wide range of cameras from multiple manufacturers. The ZEISS Cinema Zoom lenses deliver great flexibility thanks to interchangeable mounts, allowing them to be used with a wide range of cameras from multiple manufacturers. Zoom lenses are great if you're looking for something with adjustable focal length. ZEISS Supreme Prime Radiance Lenses More information ZEISS Consumer Products ZEISS Consumer Products regroupe l’activité de la société avec les objectifs d'appareil photo et caméra, les jumelles, les longues-vues et les optiques de chasse. In depth review of my Zeiss LWZ.2 cinema zoom!Follow on instagram for cool filmmaking stuff! CXX Zoom. Plus besoin d’investir des milliers d’euros dans du matériel couteux ! Photos. Browse our used cine lenses for sale to find the right lens for your next video project. The ZEISS 28-80mm T2.9 Compact Zoom CZ.2 Lens with EF Mount is a standard zoom lens that is optimized for motion picture production. SOLD! But opting out of some of these cookies may affect your browsing experience. Don't miss a thing. SHOP NOW There is a comprehensive choice of cinema zooms with consistent aperture, good sharpness and contrast, minimal distortion and a look that matches the highest quality cinema primes including ZEISS/ARRI lenses. Super 35 | Only 2.0 kg / 4.4 lbs Interchangeable Mount System (PL, EF, F, E, MFT), Super 35 | ARRI Lens Data System | PL-Mount. Splash proof. 2. The new ZEISS Lightweight Zoom LWZ.3 21-100 mm/T2.9-3.9 T* zoom lens (ZEISS LWZ.3) offers you superior image performance in any imaginable shooting situation. There is a comprehensive choice of cinema zooms with consistent aperture, good sharpness and contrast, minimal distortion and a look that matches the highest quality cinema primes including ZEISS/ARRI lenses. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. ZEISS Cine Lenses are designed and assembled according to the highest standards in order to fulfill our customers’ expectation at any time. Contax Zeiss lenses have become a favorite with Pocket users, as well as camera owners looking to mod old vintage photo lenses into cine lenses. Product Registration. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. You can use them, as many low-budget indie productions do, but they lack many necessary features. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. ARRI Ultra Wide Zoom. Whether you are shooting a short film, a soap opera, a feature film or a run-and-gun documentary - even in the most difficult conditions, the ZEISS LWZ.3 zoom lens is a trustworthy and powerful companion. Out of all the compact zoom lenses on the market, the three CZ.2 lens models with focal lengths from 15mm to 200mm cover one of the most extensive focal length ranges. Alura Studio Zooms. Zoom. In addition, bokeh is usually considered more aesthetically pleasing when the blurring artifacts appear uniformly in different areas of the image. Zoom lenses are great if you're looking for something with adjustable focal length. The completed project reveals the matching look, feel, and sharpness of the ZEISS Supreme Zooms and the ZEISS Cinema Zooms. Whether you are shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, ZEISS cinematography lenses offer you the performance you need to get the scene right. Large format coverage, cinematic look, and they also go really well with the Supreme Primes – what more could you ask for? ZEISS has designed and manufactured some of the most used Super 35 lenses in the industry like ARRI/ZEISS Ultra Prime, Master Prime and Master Anamorphic. Cinematic Large Format | T* blue coating for controlled flares | Interchangeable Mount System (PL, LPL), Cinematic Large Format | ZEISS eXtended Data technology Interchangeable Mount System (PL, LPL), Cinematic Large Format | ZEISS eXtended Data technology Interchangeable Mount System (PL, EF, F, E, MFT), Cinematic Large Format | Consistent aperture Interchangeable Mount System (PL, EF, F, E, MFT). We would love to hear about it! That places this lens close to Tokina’s new 50-135mm zoom, which weighs in at 3.37 lbs. We carry used lenses from high quality brands such as: Canon, Zeiss, Fujinon, Arri and more! Subscribe now. Easily maintained, accurate, and reliable – get the Cooke® Look. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Recently Megan had the opportunity to evaluate the intercut ability of a prime and zoom from the same line of lenses. Lenses » Zeiss Lenses » Zeiss Zoom Lenses » Zeiss Cinema Zoom Series Lenses. The ZEISS 28-80mm T2.9 Compact Zoom CZ.2 Lens with EF Mount is a standard zoom lens that is optimized for motion picture production. ZEISS has been manufacturing large format cinematography lenses that cover FF35 and beyond for more than ten years. The Zoom lenses are ideal for top-quality movies, feature films productions and documentaries. Cinema Zoom Lenses. The new ZEISS Lightweight Zoom LWZ.3 21-100 mm/T2.9-3.9 T* zoom lens (ZEISS LWZ.3) offers you superior image performance in any imaginable shooting situation. First Day: Addt'l Day: 3-Day Wknd: Full Week: $325: $305: $420: $975: Replacement Value: $21,423.15? Camera lenses from ZEISS stand for maximum imaging quality. Technical Documentation. Set of 10 ZEISS CP.3 Compact Prime Lens PL Mount . Creating beautiful images for the motion picture industry. Proceed in the same ZEISS eXtended Data unifies two data sets: key lens data based on the Cooke /i* Technology and the ZEISS distortion and shading lens data. The ZEISS 15 - 30mm CZ.2 Compact Zoom Lens in Sony E mount with focus markings in feet is a short wide-angle zoom lens for production shooting on formats from Micro Four Thirds to Full-Frame sensors. Mount Change Instructions. Lenses from ARRI, Angenieux, Zeiss, Canon, Cooke, Tokina and Fujinon in Denver, Colorado. Shot with: ZEISS Cinema Zoom CZ.2 28-80 There are generally more aperture blades for a more pleasing bokeh. Cinema Zooms. Fujinon 20-120mm PL Cabrio T3.5; Canon Cinema Compact Zoom 30-105mm w/ Multi mount EF/PL; Canon CN-E 17-120mm Servo Zoom ; Canon CN-E 18-80mm Servo Zoom; Canon CN-E 70-200mm Servo Zoom… In general, zoom lenses made for still photos are a poor fit for cinema production. And, their ultra-wide-angle zoom lens family is now joined by the SIGMA 14-24mm F2.8 DG HSM | Art. Zoom lenses are far more complex to design and build than prime lenses, and until the digital cinema camera boom really began to reverberate in the production market, around 2010, there were basically two manufacturers of zoom lenses for film production: Angenieux and Cooke. If Duclos’s new zoom lens were close—within a pound, it would be a welcome addition to one’s kit. Manual focus and manual zoom. Necessary cookies are absolutely essential for the website to function properly. See All. Among them the well-known ZEISS Compact Prime family, the ZEISS Cinema Zooms and of course the ZEISS Supreme Primes that are becoming ever more popular for feature films, TV shows, commercials and other projects. Both lenses captured an organic, natural skin tone. Among them the well-known ZEISS Compact Prime family, the ZEISS Cinema Zooms and of course the ZEISS Supreme Primes that are becoming ever more popular for feature films, TV shows, commercials and other projects. Shop Zeiss Cinema Lenses by Format, Fixed Focal Length, Maximum Aperture, Markings, Lens Mount, Lens Type & more. There is a comprehensive choice of cinema zooms with consistent aperture, good sharpness and contrast, minimal distortion and a look that matches the highest quality cinema primes including ZEISS/ARRI lenses. Joker (2019) Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes. Optimized for digital cinematography, the zoom lens supports 4K resolution and is colormatched to available ZEISS primes for seamless intercutting between zoom and primes. Designed for use on 35mm full-frame format video-capable SLRs, as well as HD video cameras and professional cine cameras, the Compact Zoom CZ.2 28-80/T2.9 will be available in Canon EF, Nikon F, Micro Four Thirds, … Optez pour cet Objectif Cinéma focale fixe - CP2 Prime Kit 7 Lens Mount : EF Mount – Zeiss pour avoir une bonne qualité de couleurs de vos images. It’s with this in mind that ZEISS has designed the Cinema Zoom CZ.2 lenses. It was the lightest cinema zoom I have ever held and was lighter than most prime lenses. Behind the Scenes of "Hernán" 43. Whether you're shooting a film, commercial, corporate video, television drama, soap or high-end documentary under the most difficult conditions, the ZEISS LWZ.3 is a powerful, handy and trustworthy companion on the front of your … Simplify and increase the accuracy of the image capturing and processing workflow. SHOP NOW First Day ? High resolution and contrast; ready for 8K and beyond, Flare suppression through T* anti-reflex coating and internal light traps. Zeiss Pro Digital Cinema Lens Rentals in Brooklyn & Manhattan, NYC by Price, Type, Mount, System & more. With their outstanding color matching, typical for ZEISS, they make an optimal addition to the Master Prime, Ultra Prime and Compact Prime. The ZEISS LWZ.3 zoom lens is a robust and reliable featherweight in its class but nevertheless supporting you with superior performance at the same time. Have you ever used one in one of your projects? SOLD! Hélène Louvart AFC shoots Whether you’re shooting a film, commercial, corporate video, television drama, soap or high-end documentary under the most difficult conditions, the ZEISS LWZ.3 is a powerful, handy and trustworthy companion on the front of your … For the drama “The Father,” DP Ben Smithard, BSC used the ZEISS Supreme Prime and the ZEISS Cinema Zoom lenses on a Sony Venice. Among them the well-known ZEISS Compact Prime family, the ZEISS Cinema Zooms and of course the ZEISS Supreme Primes that are becoming ever more popular for feature films, TV shows, commercials and other projects. Subscribe to our newsletter. With a wide range of focal lengths in twelve different lens families each tailored for your needs, ZEISS cinematography lenses give you always the best quality to make your project stand out. Still Lenses. Bas and the team try out Zeiss's £9k (inc VAT) lightweight 21-100mm zoom lens on a RED Helium 8K cinematic documentary shoot. Affordable, flexible and offering the highest quality, the ZEISS Cinema Zoom lenses are an invaluable addition to any film set. I had an opportunity to shoot with this lens at NAB. Crafted in England since 1894 . People have been shooting HD video with DSLR cameras packing still lenses for years—mostly with fixed focal length lenses, which are often referred to as "prime" lenses in the film industry. ZEISS 28-80mm T2.9 Compact Zoom CZ.2 Lens (PL Mount) $38000.00. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. The bokeh matched and intercut perfectly, and the sharpness was very comparable. Fujinon ZK85-300mm T2.9-4.0 Lightweight Cabrio Lens (PL Mount) $4000.00. This category only includes cookies that ensures basic functionalities and security features of the website.
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